Hasui 巴水: Morning at Takamatsu 高松の朝

Artist: Kawase Hasui 巴水 (1883-1957)
Title: Morning at Takamatsu 高松の朝

Series: Hasui's Twelve Landscapes for Uchiwa-e (uchiwa-e junikei).
Date: Undated (ca 1935)

A traditional wooden sailboat sets out in light wind on a glassy sea. Takamatsu is the capital of Kagawa prefecture and faces the Inland Sea. This work is unfaded, in the soft and dreamy colors of the early edition.

This series of twelve fan prints was first published by Haibara paper shop in about 1934 with the series title “Hasui’s Twelve Landscapes for Uchiwa”. Those were printed with the designs bordered within a printed fan shape. In 1935, the publisher Kato Junji acquired the rights to these designs, and had new blocks carved with the image contained within a square border, (although the original paper paspartout had a fan shape to it). These Kato Junji edition works have red seals verso that indicate the limited edition number, out of a total edition of 200 works. Note that it seems to be an error in the Brown/Hotei catalogue raisonné (page 106), that notes that this Kato Junji published edition featured an edition size of 300. The red limited edition seals on all known examples all clearly state that the total edition number is 200. Both of these early Showa editions were created with soft colors, intended to be rather dreamy and with a  cool atmosphere against the summer heat. 

To continue the history of these designs, in 1988, the Hasui heirs gave permission for the series to be reprinted by the publisher Ayumi Shuppan. Those works have large margins and have the publisher’s name stamped on the right margin, recto, and have no editioning on the prints themselves, but only on the presentation box. The 1988 edition also has much stronger coloration, as they were published more to be designs for exhibition rather than for fan print usage. The title of the posthumous set was “Twelve Views of Famous Places”.

Note that the Haibara editions almost never surface on the market, as it is safe to assume that they were pasted onto summer fans and then discarded in the early Showa era. These Kato Junji edition works are also scarce, as only 200 of each were printed.

With the limited edition seal, verso, numbered 6/200. With the “Printed in Japan” seal, verso, indicating that this work was intended for export in the early 1930s. 

Condition: Excellent impression, color and condition.
Dimensions: Shikishiban (25.6 x 26.3 cm) Publisher: Kato Junji
Literature: Narazaki Muneshige, Kawase Hasui mokuhanga shu, 1979, number Ka-1.; Kendall H. Brown, Kawase Hasui: The complete woodblock prints, 2003, number 372. See the MFA Boston, VMFA museum collections. Seal: Kawase
Signature: Hasui 

SKU: HAC372W